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we the hustlers – the film’s producer on lopez, wu and company

[edited re-post from a previously premature published draft] asienne recently sat down with HUSTLERS producer, Elaine Goldsmith-Thomas at the LA screening of the film. In this Q and A, we’re talking about: how Constance Wu was and is the “gold standard” pick for the role of Destiny, producing female-led and female-driven films with the one and only Jenny from the Block, and the fun (and groundbreaking) that is this HUSTLERS movie out today nationwide. Here is on-site reporter Justine Saldaña with the scoop:

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asian studio head features native american legend in new short film

This new, animated short film boasts two very big things: a stellar cast (featuring the likes of John Legend, Constance Wu, Liza Koshy but also Oprah!) and it’s also the first VR film to feature an indigenous world view. This film is none other than Crow: The Legend which was released just last month. asienne recently spoke with Maureen Fan, head of indie production company–and the studio behind CrowBaobab Studios about: the legend behind the short film, the animation process, and snagging their stellar cast! Continue reading “asian studio head features native american legend in new short film”

crazy rich essays: a Chinese POV

dear asiennes,

we’re very fortunate enough to have writer Maggie Wang contribute her perspective in this month’s issue with her very personal essay (divided into two parts) regarding her Asian, American, Asian-American, and third culture kid experiences.

her thoughts on Crazy Rich Asians allowed her to connect it with her own intersectionally-lived Asian experience(s) and it is as heartfelt and poignant as the movie, itself.

feel free to give it a read and comment on the respective pages with links below 🤓

& if you’d like to submit your own review / commentary / thoughts on Crazy Rich, click here! ❤

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i. crazy privileged asians: a Chinese perspective

Written By: Margaret Rena Wang

 

By now you’ve probably heard these following sayings: 1) how could we have let a quarter of a century (literally a whole generation) go by without a production featuring a majority Asian cast (true to proper representation) on screen?

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