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constance wu on crazy rich hustling and her secret talent nobody knows about

asienne recently sat down with HUSTLERS lead star, Constance Wu at one of the early LA screenings of the film. In this Q and A, we talked about: what it’s like to strip with Miss Jenny from the Block, what makes HUSTLERS different from Crazy Rich, oh…and her hidden talent that no one knows about?…can you guess what it is? Read on below to find out. Here is on-site reporter Justine Saldaña with the scoop:

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we the hustlers – the film’s producer on lopez, wu and company

asienne recently sat down with HUSTLERS producer, Elaine Goldsmith-Thomas at one of the early LA screenings of the film. In this Q and A, we talked about: how Constance Wu was and is the “gold standard” pick for the role of Destiny, what it’s like producing female-led and female-driven films with the one and only Jenny from the Block, and the fun (and groundbreaking) film that is HUSTLERS out today nationwide. Here is on-site reporter Justine Saldaña with the scoop:

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writers’ spotlight: summer 2019

asienne is very proud to present and showcase these two Fil-Am authors azn’ reppin’ not just Filipinos, not just Filipino Americans, not just female writers, but California-based Filipina-American writers. Without further ado, here are Lauren Lola and Deborah Francisco Douglas with their specific take on their own Fil-Am identity and its intersections:

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somewhere in the middle with deborah francisco douglas

In continuing our mini-series of creative profiles from the first part of the June 2019 issue, here’s another Fil-Am author making waves with the power of her words. In this e-mail interview, asienne spoke with San Diego-based author, Deborah Francisco Douglas about her Filipino-American identity and her new book, Somewhere in the Middle. This is the second of two creative profiles for the Asian writer’s series specifically for APAHM

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in conversation with writer and director lulu wang

It was only last summer when theaters nationwide were hit with a phenomena #AsianTwitter had famously dubbed as #AsianAugust. With that, came the new era of Asian American cinema with the release of films such as Crazy Rich Asians, Searching and To All The Boys I’ve Loved Before.

This summer, another film to add to the list is writer and director Lulu Wang‘s second feature and Sundance darling that is The Farewell;  based on a true story and, as its tagline says, based on an actual lie, the film tackles the difficult decision of concealing the grandmother’s impending passing from herself. What happens during this time? How does this family – based on Wang’s own – cope? You’ll have to see the movie this summer to find out.

asienne recently sat down with Lulu Wang to chat about: identity, beginnings, inspirations, her creative vision, The Farewell and what she’s got coming up next.

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